We've discussed my knack for sad alliteration before, so let's ignore this particular example, shall we?
Today you're going to want to tune in, blogosphere, because we'll be hearing from Sara Sargent, of Balzer + Bray, who worked as editor on THE LOST GIRL!
I'm so happy to have her here, so thanks for stopping by, Sara!
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As an adult, your “firsts”
grow fewer and further between. Long gone are those days of first dances, first
kisses, first loves. But two years ago, I was given the most precious first in
the life of a young editor: my first acquisition.
THE LOST GIRL—then titled Woven—came to me from Melissa Sarver at
Elizabeth Kaplan Literary. I read this manuscript in a matter of days, quickly
passed it along to my team, and set up a call with Sangu within the week. Back
then I was an Editorial Assistant who had only been acquiring for two months when
THE LOST GIRL crossed my desk, and it was the only manuscript I’d read that I could
see myself editing. I felt about this novel the way I have felt about few
novels since: it was beautiful, it was stirring, it was epic and romantic, and
I knew I would be heartbroken not to get it. And because there was interest
from other editors, that was a very real possibility. Sangu had already wooed
me, and now I had to woo her with my incisive editorial insights and the
general sparkliness of my personality. Now, I never asked what made Sangu
choose me as her editor; I believe it’s one of those industry mysteries better
left unsolved. I do remember, with startling clarity, when Melissa called to
say that Sangu had decided to publish with Balzer + Bray. I burst into tears.
All I could say was “Really?” over and over; surely Melissa questioned her
client’s decision in that moment of my utter inarticulateness. But there was no
questioning the wonder of what I had just accomplished—not only for my career, but
also for the career of this young writer whose life she had just inextricably
tangled with mine. Needless to say, the next two days involved a lot of
champagne.
We put THE LOST GIRL on our
Fall 2012 list, which meant that we had eleven months before the manuscript was
due to Copyediting. Over the course of those months, we went back and forth as
she sent in revisions, I sent back notes, she sent revised pages, and I sent
back more notes. Oh, and somewhere in there, Sangu had a baby. Not to mention
that one of my favorite writers, Lauren DeStefano, offered to blurb; I was as
excited about that blurb as Sangu was about her newborn child. Sangu and I fell
into a kinship inspired by our mutual love of her novel and its story and characters
(coughSeancough), but also by the fact that this was new for both of us. I
couldn’t wait to see the final cover art or the book’s case or the galleys, and
she couldn’t wait for me to show them all to her.
And now here we are. Mere
weeks from pub. Just waiting until those buxom bound beauties hit my inbox and,
from there, shelves across the country. I’m not sure what I’ll do when I
finally hold one in my hands. I imagine that I’ll burst into tears once more,
then smile, then perhaps continue to cry. Never again will I have the unique
pleasure of seeing my very first book for the very first time, and I don’t
intend to waste that moment. It’s the best first in a line of luminous firsts
that originated with Eva and Sangu’s desire to tell her story. I don’t know
what the future holds for many things in my life, but I do know that this book
will forever occupy a place of immense joy, and for that, I wish it everything
as it goes off into the world.
---
*sniffs* Okay, so maybe her post made me a teeny bit teary. DON'T JUDGE ME. I'm only human. Follow Sara on Twitter (@Sara_Sargent) for more awesomeness.
Now please excuse me while I go stop a baby from eating a phone charger...
TEASE OF THE DAY
The first chapter of THE LOST GIRL is up on my website! Click over for the teaser.
